Richard Centing, of the Ohio State University Libraries, an early Anais Nin supporter, passed away in January of this year, I just learned.
Along with Benjamin Franklin V, Centing produced the first Nin periodical, Under the Sign of Pisces, beginning in 1970 and running until 1981, after which Centing published a similar publication, Seahorse. These publications were what Anais Nin called “a café in space,” where readers and writers could “gather” in their pages.
The longevity of Centing’s periodicals was one of the driving forces behind the decision made by Rupert Pole and Gunther Stuhlmann to produce the annual ANAIS: An International Journal, which ran an amazing 19 issues until Stuhlmann’s death in 2002. A Café in Space: The Anais Nin Literary Journal has carried on the tradition ever since. But it all began with Richard Centing’s idea some 47 years ago.
Richard was the very first Nin scholar I met, back in 1996, in Columbus. He kindly gave me the “grand tour” of the library’s Nin-related holdings, and presented me with many gifts, including a poster promoting Nin’s novels published by Swallow Press, which hangs in my office. He was the first scholar to encourage me with my first project, Anais Nin: A Book of Mirrors. After I showed him the manuscript, he said to me: “This is important work,” which went a long way in validating my efforts. Not only did he contribute an article and photographs to the anthology, he guided me in promoting it after it was printed. I remember him as a kind and generous man.
To read Richard Centing’s obituary, click here.
A Café in Space: The Anaïs Nin Literary Journal is seeking contributions for its 2017 issue.
Articles (both academic and non-academic) on Nin, Henry Miller, Lawrence Durrell, or anyone within Nin’s literary circle, are welcome. We also accept photo essays, poetry, short fiction, travelogues and book or event reviews.
Articles are generally around 2,500 words, but we are extremely flexible, depending on the theme.
All styles (Chicago, MLA, etc.) are welcome and will be modified to our house style.
Poetry and short fiction do not have to necessarily be about Nin per se, but should have a certain quality that evokes her spirit.
We do accept short erotica, but we ask that the style be somewhat in line with Nin’s.
You can contact us a email@example.com with proposals or queries.
Re-Viewing Anaïs (Scars Publications, 2015) is a collection of author Rochelle Lynn Holt’s essays and reviews regarding her mentor, Anaïs Nin, with whom she collaborated in the 1960s and 1970s. Culled from several different publications, the book gives us a good overview of Holt’s regard of Nin’s work. As Holt says in her postscript:
Re-Viewing Anaïs is a semi-academic collection of forty-nine essays/reviews that have been published individually in various periodicals from the Sixties to the present time. They represent virtually every one of Anaïs Nin’s publications in her lifetime and posthumously.
According to the postscript, Holt operated a handpress much in the same way Nin did in the 1940s, and Nin herself mentions Holt’s press in her Diary. Holt earned her MFA from Writers Workshop and her Ph.D. from Columbia Pacific University.
Re-Viewing Anaïs can be viewed and/or purchased by clicking here.
In her contribution to Volume 13 of A Café in Space: The Anaïs Nin Literary Journal, Barbara Kraft shares the beginning of her forthcoming memoir Henry Miller: The Last Days, which will be published soon by Sky Blue Press.
After delivering An Open Letter to Henry Miller on public radio in 1977, Miller invited Kraft to cook dinner for him, and she eventually became a regular at the Miller household.
Here, Kraft describes her first meeting with Miller:
“A half hour had passed when I heard a slow shuffling noise in the kitchen and then the famous voice. Leaning on his walker, it was a labored crossing and there he was. Dressed in pajamas and a blue terrycloth robe, fluffy white bedroom slippers and white socks on his feet, Miller continued to charm. Frail, fragile, deaf in one ear, blind in one eye, lame on one side but not broken. Age could not touch him; his spirit was indefatigable and still quite miraculous. The eternal clown, the gentle jester.”
Read the entire excerpt in volume 13, along with an excerpt from Anaïs Nin’s forthcoming Trapeze: The Unexpurgated Diary of Anaïs Nin and Benjamin Franklin V’s introduction to the book, essays by Nin scholars from around the world, testimonies by women writers influenced by Nin, short fiction, poetry, photographs and visual art.
To order Volume 13 of A Café in Space, which is available in print and as an ebook, click here.
As editor of this journal for the past 13 years, I can personally say that this is one of the most satisfying issues we’ve ever produced, with an excerpt from the forthcoming diary Trapeze, a memoir from one of Anaïs Nin’s lovers, powerful testimonies from women writers affected by Nin’s life and work, critical articles about Nin and those who affected her own work by talented scholars, an introduction to Trapeze by Benjamin Franklin V, poetry, short fiction, photographs and visual art.
Anaïs Nin recounts her first weeks with Rupert Pole in 1947, Lanny Baldwin counters Nin’s account of her relationship with him in the only known memoir by one of the characters in her diary, Barbara Kraft offers an excerpt from her new memoir Henry Miller: The Last Days, Jessica Gilbey explores the little-known relationship between Nin and her mother while Jean Owen tackles the father-daughter entanglement, Erin Dunbar discusses the affect Djuna Barnes had on her work, and Lana Fox delivers a moving account of how Nin came along at the right time as Lana was transitioning from a tragic beginning to a triumphant present.
Other contributors include Diana Raab, Marina Ferrer, Ellie Kissel, Chrissi Sepe, Danica Davidson, Colette Standish, David Wilde, Marc Widershien and Kennedy Gammage.
You can order A Café in Space, Vol. 13 in both print and digital issues by clicking here.
And stay tuned for the next Anaïs Nin Podcast, which will be dropped Feb. 21, 2016.
Benjamin Franklin V has been devoted to Anaïs Nin studies since 1966, the year the first volume of The Diary of Anaïs Nin was published, catapulting her from decades of obscurity to instant fame and acceptance from a wide audience. Despite all the hoopla surrounding Nin, Franklin was determined to go about the meticulous business of compiling a complete list of all her work, resulting in Anaïs Nin: A Bibliography in 1973, the first and only such compilation. He then collaborated with Duane Schneider on Anaïs Nin: An Introduction, which came out in 1979. In 1996 he compiled and edited Recollections of Anaïs Nin.
Since then, he has spearheaded the republication of The Winter of Artifice, the lost 1939 edition; he authored the Anaïs Nin Character Dictionary and Index to Diary Excerpts, compiled, edited and introduced The Portable Anaïs Nin, and has written the introduction to the upcoming Trapeze: The Unexpurgated Diary of Anaïs Nin, 1947-1955. He is a frequent contributor to A Café in Space: The Anaïs Nin Literary Journal.
Dr. Franklin not only studied Anaïs Nin, but also knew her and worked with her for several years. His experience with Nin, along with his extensive work on her, gives him a unique understanding of both the writer and the work, and he tells all during this podcast. This is a must-listen for anyone interested in Anaïs Nin and the history of Nin scholarship.
Run time: 47:06
To listen to the podcast in iTunes, click here.
To listen to the podcast without iTunes, click here.
Comments are welcome.
A Café in Space: The Anais Nin Literary Journal seeks contributions for its next issue, which debuts Feb. 21, 2016. See guidelines below:
1. Content must at least peripherally involve Anais Nin, Henry Miller, Lawrence Durrell, or members of their outer circle, including those who influenced their writing. Articles can be academic in nature, or more general, depending on topic.
2. Essays should be in the realm of 2,000-6,000 words, but we’re flexible depending upon topic.
3. We accept poetry as long as there is a correlation, at least in spirit, to Anais Nin.
4. We accept short erotic fiction if it is in the spirit of or inspired by Anais Nin.
5. We accept visual art, including photographs as long as it relates to Anais Nin et al.
6. Deadline for proposals is the end of August 2015. Deadline for final drafts is December 1, 2015.
Submissions, inquiries and proposals can be sent to skybluepress @ skybluepress . com
We will consider submissions for future issues of A Café in Space based on room, theme, or other factors.
–Paul Herron, Editor, Sky Blue Press
When Volume 4 of Gunther Stuhlmann’s ANAIS: An International Journal appeared in February 1986, Anaïs Nin’s husband, Hugh (Hugo) Guiler, aka Ian Hugo, had recently died suddenly in his New York apartment. Long the “silent” partner of Nin, the “East Coast” husband and banker-turned-artist whose experimental films are still revered today, Guiler is the main focus of this issue, with a remembrance by Nin’s brother Joaquin, excerpts from interviews and studies, his own thoughts on the arts of engraving and making movies as well as recollections of growing up in Puerto Rico and Scotland under extreme conditions, which influenced his life and art.
Also included in this issue is critical correspondence between Anais Nin and Henry Miller at the dawn of their relationship, most of which is focused on their respective writing efforts. These letters make it clear how much one influenced the other’s work, from Miller’s unadulterated criticism of Nin’s use of the English language to Nin’s efforts to keep Miller focused on the essentials in light of his tendency to go off on tangents and to exhaust every thought running through his over-active mind. We are given tangible examples of how Miller’s commentary on Nin’s fiction actually found its way into the finished products.
There is a study on Otto Rank by Nin scholar Sharon Spencer, whose hypothesis that Nin and Rank were lovers was spot on, and a look at Nin’s friend Caresse Crosby and her famed house, Hampton Manor, which attracted the likes of Nin, Miller, and Salvador Dali, among many other artists in the early 1940s.
To preview and/or order volume 4 of ANAIS: An International Journal, click here.
To preview and/or order ANAIS volume 3, click here.
For volume 2, click here.
For volume 1, click here.
To view other new Nin-related publications, click here.
Volume 3 of Gunther Stuhlmann’s ANAIS: An International Journal (1985) is now available as an e-book, as plans to digitize all 19 issues move ahead.
Stuhlmann, once Nin’s literary agent and co-editor, created ANAIS in 1983 in the wake of the demise of the only other Nin-related journal, Under the Sign of Pisces. Unlike its predecessor, however, ANAIS became a full-fledged journal of literary criticism that won awards for its excellence. Stuhlmann continued publishing ANAIS annually until just before his death in 2002. Of course, A Café in Space, the current Nin journal was born shortly thereafter.
Volume 3 contains excerpts from Nin’s riveting letters to her mother just as war was about to drive her and most of the other ex-patriots from Paris. Excerpts from Nin’s Early Diary also appear, as well as her views on fame. A study of Cuban author Julieta Campos is presented, with excerpts from her work, translated here in English for the first time. Anna Kavan’s work also appears, as well as articles and studies by Nin scholar Philip Jason, Otto Rank, André Bay and Peter Owen.
To preview and/or order ANAIS volume 3, click here.
For volume 2, click here.
For volume 1, click here.
To see A Café in Space, click here.
Another step in digitally reproducing editor Gunther Stuhlmann’s 19-volume ANAIS: An International Journal has been taken: Volume 2 (1984) is now available in Amazon’s Kindle store, which means it can be read on any device with a Kindle app.
Now that some of the original print issues are out of print, or close to it, we feel it is important that the contents of these valuable journals are preserved.
Volume 2 contains diary excerpts and correspondence by Anaïs Nin on Marcel Proust, Colette, the films of Ian Hugo, the impact Otto Rank had on her and Henry Miller, and her long friendship with Caresse Crosby of the Black Sun Press.
Ian MacNiven, biographer of Lawrence Durrell, theorizes that Nin wanted more out of her friendship with Durrell than did Durrell, that it was more than mere misunderstanding of each other’s work that separated them later in life. Suzette Henke explores how Nin’s understanding of Freud influenced her fictional characterizations, especially Lillian, the heroine of Seduction of the Minotaur. Philip K. Jason presents a history of Nin’s Gemor Press—its birth and the reasons for its demise.
Special sections on Crosby, Proust and Rank, along with poetry and rarely seen excerpts from relevant literature complete the issue.