Anaïs Nin’s Auletris Erotica Censored by Amazon

NOTE: Amazon has since rescinded it censorship of Auletris. I am leaving this post up as a matter of history.

Anaïs Nin’s new erotica collection, Auletris, has achieved a status that no Nin book has had since The Winter of Artifice (1939) was banned in the USA: censored by the world’s largest bookseller, Amazon. If one does a search for “Auletris,” nothing shows up unless one does the search in “books” or “Kindle store.” So, to the casual observer, Auletris does not exist. There has been a concerted effort on the part of Amazon to block customers from this book.

auletriscensoredAmazon says that it has made the decision that Auletris shall not be searchable because of its “adult content.” Even the cover is obscene, they say. Delta of Venus? Searchable. Little Birds? Searchable. Auletris? In a class by itself. Why?

The contents of all three books are written by the same author, in the same fashion, touching upon many of the same taboos. Delta of Venus has incest, rape, necrophilia, among other topics, and yet anyone can find it easily on Amazon. What sets Auletris apart? What is it about the book that has Amazon skittish about its status? Has Nin gone too far? It is true that Auletris exceeds the taboo standards set by its predecessors, but is that the reason for the censorship?

Or is it a sign that the literary climate in America is returning to the days when censorship boards, whether governmental or private, decide for us what we can see or not see?

Sky Blue Press was told to make changes to Auletris if it is to be deemed searchable: to change the cover, which contains an image from an erotic card from Nin’s personal collection; to change the contents, which is tantamount to telling an artist to alter a masterpiece to make it more palatable to the masses. Sky Blue Press has refused this request. Auletris, it says, is pure Nin, and no changes will be made.

There is only one way to solve this problem—and to make a statement—buy the book from Amazon and prove that censorship will not deter sales.

To order a print copy of Auletris, click here.

To order a digital copy, click here.

How Anaïs Nin’s Auletris Erotica Got Published

When I first discovered a folder from Gunther Stuhlmann’s archive that read “Provincetown Erotica??” I had no idea what was about to happen. I hurried through the correspondence from late 1985 to early 1986, which discussed the fact that a copy of Auletris by “ANin” was up for auction—and that no one, not even Anaïs Nin’s executor, agent or editor, had ever heard of it—and got to the Xeroxed pages from the book itself. I read the following words which open “Life in Provincetown,” the collection’s first section:

aulterisfolderOne long main street running along the Bay outline, Portuguese fishermen sitting in circles like the Italians and chatting. Behind the houses on the main street are wharves which project out on the water at various lengths. On these wharves are the huts, shacks, which the fishermen once used to store their nets, tools, and the boats to be repaired. It is here that the artists live. The roofs are peaked and beamed. Everything is made of rough wood like the inside of some old ship. At high tide the water runs under the wharves, at low tide it exposes a long stretch of sand.

The walls are thin. One can hear everything. Often the shades are not down, and one can see everything.

There are no guardians, no one to say: stop the noise, or to see at what time one comes home. No superintendents, house owners. Just the lonely wharves, in darkness at night, the sound of the water, and little crooked shack-like studios occupied by a variety of people.

The town is full of soldiers, sailors, and beautiful Portuguese girls…and summer visitors in shorts.

There is one movie, one bar where women are not admitted and several night clubs.

In one studio there lived one of the artist’s models, whose mouth was so big, so full, so prominent, that one could see nothing else. When she looked at one, one could notice only the mouth, like the mouth of a negress. She rouged too heavily, and then powdered her face white, so that the mouth stood out even more and was able to eclipse the rest of the face and even the body.

As one knew she was a model, well known in the Village in New York, one assumed she had a beautiful body, but somehow one only looked at the mouth. Somehow or other one imagined the other mouth to be equally luxuriant, equally prominent. Just as one felt that the thin-lipped mouths of Puritan women must he the exact replicas of their thin-lipped sexuality.

Then it stopped. Just like that, I was at the end of the copy, and I could tell just by this short passage that Auletris contained classic Nin prose and heralded a very erotic story. It was this passage, stuck in the folder and hidden there for thirty years, that drove me to find the rest of the book. I had to know what came next! It was a supreme tease, you see.

Once I located a copy, I prayed that the rest of it would fulfill the promise that Nin seems to make in the opening pages. As they say, the rest is history. Not only does Auletris deliver on its promise, but it exceeds much of Delta of Venus or Little Birds in its boldness and variety.

I decided to publish it because, as far as I’m concerned, it deserved to be. The book came out yesterday. Now, at last, the world can discover this treasure for itself.

To order a print copy of Auletris, click here.

To order a digital copy, click here.

To listen to an expert panel discussion of Auletris, click here.

Podcast 21: Lost Anaïs Nin Erotica Part 2

We are celebrating the publication of the new collection of Anaïs Nin’s new book! Listen as The Anaïs Nin Podcast gathers some dynamic experts who discuss the long-lost collection of original Anaïs Nin erotica, Auletris, which is being published today.

My guests—erotica writer, reader and popular podcaster Rose Caraway; women’s sexuality expert Anaín Bjorkquist; erotic writer and publisher Lana Fox; and Nin scholar Jessica Gilbey—have all read Auletris and give their reactions. It is a lively, sometimes hilarious and yet serious discussion of Anaïs Nin’s demolishment of taboo, poetic descriptions of even the most forbidden topics, the effect her erotica has on the reader, and the standing it has in the world of literature. And featured in this podcast is Rose Caraway reading from Auletris.

This is a must-listen for any fan of Anaïs Nin, erotic fiction, or both.

Run time: 53 minutes

To listen with iTunes, click here.

To listen without iTunes, click here.

To order a print copy of Auletris, click here.

To order a digital copy of Auletris, click here.

For a brief history of the discovery of Auletris, click here.

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Anais Nin Myth #21: All of Anais Nin’s erotica has been published

Myth: Delta of Venus and Little Birds contains all of Anais Nin’s erotica.

Fact: In spite of editor John Ferrone‘s insistence that the only Nin erotica that did not get published were “scraps” that ended up on the cutting room floor, an important collection of unpublished erotica existed. In fact, Ferrone himself knew of it by 1985, as his correspondence to Nin literary executor Rupert Pole proves.

An auction house approached Harcourt, for whom Ferrone worked, wanting biographical information about Nin since they were about to auction off a book called Auletris by “A. Nin,” which was one of only five copies produced by Press of the Sunken Eye in 1950. Auletris was divided into two “books”: “Life in Provincetown,” none of which had ever been seen before, and an uncut version of “Marcel,” which appears in abbreviated form in Delta of Venus. Upon reading the text, Nin was verified as its author.

For some reason unknown to me, neither Ferrone nor Pole pursued this book any further, and no one mentioned it again until I discovered the correspondence earlier this year. Upon reading Auletris, I recognized its importance and literary value and realized that it needs to be published. Therefore, Sky Blue Press will release it in October 2016.

To learn more about Auletris, read our recent post.

To hear an 11-minute history of Auletris, click here.

For a reliable source of Anais Nin quotations, get THE QUOTABLE ANAIS NIN: 365 Quotations with Citations.

Podcast 20: Lost Anaïs Nin Erotica Part 1

Listen to how Anaïs Nin’s erotica collection was lost during the 1940s and has only resurfaced today under the title Auletris.

Auletris is virtually unknown to Nin scholars and readers alike. Originally written for Barnett Ruder in the early 1940s, it was sold to a California collector in the 1940s, and five copies were typed up and sold under the table in 1950. Amazingly, its existence became known in 1985 when a copy was being auctioned—but it was never published, and the public never knew about it.

Unknown to all, a copy of this mysterious book was housed at a major university library, and after much detective work, it was located, transcribed, and will be published in October by Sky Blue Press.

This is nothing short of a major literary event. Be among the first to learn about the details of this find.

Run time: 11 minutes

To listen with iTunes, click here.

To listen without iTunes, click here.

This podcast is sponsored by The Quotable Anaïs Nin: 365 Quotations with Citations

Detail of cover, from a card in Nin's collection

Detail of erotic postcard from the private collection of Anais Nin.

Podcast 19: Anaïs Nin’s Family with Gayle Nin Rosenkrantz

Gayle Nin Rosenkrantz was the daughter of Thorvald Nin, the middle child of the Nin family, between his big sister Anaïs and little brother Joaquín. She was born in Latin America during the 1930s and has vivid memories of not only her aunt, uncle and father, but also of her grandparents, Joaquín Nin y Castellanos and Rosa Culmell. Listen as she, like no one else can, describes the family dynamics, how Aunt Anaïs kept them at arm’s length to keep her bigamy secret, a humorous account of her grandfather calling her and her brother “savages” after they met him in Cuba in 1939, and her stories about her father and uncle, many of which are entirely unknown until now. If you are interested in Anaïs Nin, this podcast is a must-listen, for it contains some real treasures from one of the only descendants of the original Nin family.

Run time: 41 minutes

To listen to the podcast with iTunes, click here.

To listen without iTunes, click here.

To learn more about the Nin family, click here.

This podcast is sponsored by The Quotable Anaïs Nin, which contains 365 cited quotations.

Opening track: Joaquin Nin “Suite Espanole II

Closing track: Joaquin Nin-Culmell: “Ball pla i l’esquerrana

 

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Thorvald, Rosa, Joaquin, Juan Manen, Anais Nin ca. 1920

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Barbara Kraft reads from Henry Miller: The Last Days

Barbara Kraft, author of a new memoir on Henry Miller, recently gave a reading at a Santa Monica library, which was video recorded and is now ready to be viewed.

Kraft not only speaks of her close relationship with the literary titan during his final two years, but also reminisces about her friendship with Anais Nin during the years just before her death–a relationship that was independent of that with Miller. Kraft’s gift to Miller and Nin fans are her two beautifully written memoirs:

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Each book is the perfect companion for the other.

To watch the video, click here. (Run time: 49 minutes)

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Podcast 17: Barbara Kraft Interviews Henry Miller

At about 4:30 on a Saturday afternoon, June 7, 1980, rebel author Henry Miller died in the arms of his caretaker in Pacific Palisades, California, which marked the end of an amazing era, one that saw literature turned upside down, saw the draconian obscenity laws of the US taken apart after long court battles. Few had heard of Miller before his Tropic of Cancer was finally published after a nearly 30-year wait, but he rose to instant stardom in the twilight of his life.

Henry Miller

Henry Miller

Miller moved into a seemingly bourgeois neighborhood, 444 Ocampo Drive, Pacific Palisades during the 1960s, but what went on there was anything but bourgeois. A constant parade of people came and went, some staying for a while, others coming on a regular basis to cook for Miller and to make conversation. One of these cooks was Barbara Kraft, who became an intimate friend during the last two years of Miller’s life. She has just published a memoir, Henry Miller: The Last Days, which chronicles her experiences with Miller and his entourage.

To commemorate Miller’s 88th birthday, Kraft recorded what would be the last substantial interview of his life. In it he speaks about his philosophy on life, writing, women and men, religion, politics, sex, love, marriage and spirituality. He mentions his hero Blaise Cendrars, his Paris companion Alfred Perlès, his meeting with Emma Goldman, Stroker publisher Irving Stettner, and, of course, Anaïs Nin.

The interview was broadcast on December 26, 1979 on KCRW, and to commemorate the passing of a literary legend, we are presenting it in its entirety for our podcast.

Run time: 1 hour

To listen to the podcast with iTunes, click here.

To listen to the podcast without iTunes, click here.

To order Barbara Kraft’s memoir Henry Miller: The Last Days, click here.

Henry Miller and Emma Goldman

To celebrate the publication of Barbara Kraft’s new memoir Henry Miller: The Last Days, we are posting a clip from Kraft’s 1979 interview with Henry Miller. In the clip, he discusses how Emma Goldman, a champion for workers’ rights, inspired him to become a writer.

To listen to the clip, click here.

To see more about Henry Miller: The Last Days, click here.

Emma Goldman speaking, 1916

Emma Goldman speaking, 1916

Henry Miller: The Last Days

Barbara Kraft’s new memoir, Henry Miller: The Last Days is available in print now and will be published in digital format May 20, 2016.

FrontCoverEbookKraft met Henry Miller in 1977, only months after her friend—and Miller’s former lover—Anaïs Nin died. Kraft was so impressed by Miller that she reread virtually all of his work and broadcast an “open letter” to Miller on an NPR station. When Miller heard a recording of the show, he invited Kraft to become one of his sixteen rotating cooks.

(Click here to hear Kraft and Miller discussing the arrangement.)

Kraft returned on a regular basis to the Miller household and struck up an intimate friendship with the famous author, recording daily events and conversations in her diary. The operations of the household were anything but normal—they were largely carried out by various individual who came and went, and the person in charge of them was a serious drug addict. It was largely due to Kraft’s intervention that Miller didn’t die of malnutrition and, in the end, didn’t die alone.

To see details of Henry Miller: The Last Days, click here.

To see details of Anais Nin: The Last Days, click here.

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