One Hundred Biographers: The reaction to Deirdre Bair’s biography

When Noel Riley Fitch’s study of Nin (Anaïs: The Erotic Life of Anaïs Nin) was published in 1993, the response of some in the Nin community was to swiftly brand it as “baseless” (in the sense Fitch did not have access to the Nin archive) and “sensationalistic” (in the sense it focused mainly on Nin’s […]

One Hundred Biographers: The Genesis of Anaïs Nin: A Biography

By the early 1990s, it was apparent that Evelyn Hinz, the so-called “official” biographer of Anaïs Nin, was never going to get around to writing a biography. Rupert Pole, Gunther Stuhlmann, and many Nin scholars were growing impatient, especially since scholars did not have free access to the unpublished portions of the Nin archive and […]

One Hundred Biographers: Evelyn J. Hinz—a mystery

Anaïs Nin’s diaries came out in heavily edited form because the times and circumstances dictated it to be so. The unexpurgated diaries came out for the very same reasons. In short, Nin’s “autobiography” came out scattershot, and it was left to the devices of the readers to interpret and put together the seemingly infinite number […]

One Hundred Biographers: Why does a diarist need even one?

Anaïs Nin wrote, “There was once a woman who had one hundred faces. She showed one face to each person, and so it took one hundred men to write her biography.”   During her lifetime, Anaïs Nin dodged questions that aimed to pin her down, to reveal the details of her life (or lives lived […]

Anaïs Nin Character Dictionary

Both A Café in Space, Vol. 6 and Anaïs Nin Character Dictionary and Index to Diary Excerpts are now available for shipping. All of you who have ordered either or both titles will be receiving yours very soon.

Ian Hugo: Filmmaker

When Hugh Guiler, Anaïs Nin’s banker husband, began his artistic career as an engraver, he chose to use the name Ian Hugo, supposedly so that his art would be separate from his career. In Guiler’s mind, there was a sense of intolerance between the financial and artistic worlds, and he did not want the two […]

Interpreting Anaïs Nin’s Erotica: do we see it as we are?

If there is any consensus about reading Anaïs Nin, it is that one sees aspects of one’s self in the work—whether it be fiction or the diary. Nin’s work is a mirror of sorts, and sometimes a distorted one. This is what makes Nin’s writing “personal,” and therefore “universal,” and is also a reason why […]

Anaïs Nin Myth of the Day #5

Myth #5: Anaïs Nin’s erotica disqualifies her as any sort of feminist.   In the February issue of Glamour, there is an article entitled “6 Crazy Sex Requests Women Just Like You Have Heard.” One of the requests, reported by a 32-year-old woman was, “My husband asked, ‘Can we do it, but can it just […]

Anaïs Nin’s birthday: The birth certificate

On February 24, 1903, at 11 in the morning, this birth certificate was drawn up in Neuilly sur Seine. In it, we learn that Rose Jeanne Anaïs Edelmira Antolina Nin was born at 8:25, the evening of February 21, 1903, to father Joseph Joachim Nin, 23 years old, and to mother Rose Celeste Culmell, 25 […]

Anaïs Nin Myth of the Day #4

Myth #4: Anaïs Nin was fluent in three languages: French, Spanish, and English. Fact: When Anaïs Nin’s father, Joaquín Nin, abandoned his family in Arachon, France, in 1913, she, her mother and her two younger brothers went to Barcelona and stayed with Joaquín’s parents. During the year or so they spent in Spain, Anaïs learned […]