Recent publications by or about Anaïs Nin: A handy guide

It’s easy to get lost in Anaïs Nin’s literary ocean without a guide, so we have created a list ofrecent publications by Nin or about her, in a relatively chronological reverse order, along with a few faves.

cafe152018: A Café in Space: The Anaïs Nin Literary Journal, Vol. 15. Contains original pieces by Anaïs Nin and Rupert Pole; essays by several renowned scholars and writers; rare photographs; interviews with Nin notables including one of the characters of Collages, Nobuko Albery.

 

lostworld2017: Anaïs Nin’s Lost World: Paris in Words and Pictures, 1924-1939 by Britt Arenander. A guidebook to the Paris of Anaïs Nin and Henry Miller, with complete historical documentation and more than fifty photographs of the literary duo’s favorite haunts, both then and now.

 

trapeze2017: Trapeze: The Unexpurgated Diary of Anaïs Nin, 1947-1955. The long-awaited diary that chronicles the beginning of Nin’s “double” life with husband Hugh Guiler in New York and lover Rupert Pole in California. A complete rendering of the rigors, both physical and psychological, of a bicoastal affair with two very different men.

 

cafe142017: A Café in Space: The Anaïs Nin Literary Journal, Vol. 14. Excerpts from Nin’s unpublished correspondence and much more.

 

 

auletris2016: Auletris: Erotica, a long-lost collection of Nin erotica consisting of two main stories: “Life in Provincetown” and “Marcel,” much of which had never been published before.

 

 

Other favorites include:

miragesMirages: The Unexpurgated Diary of Anaïs Nin, 1939-1947. The first new Nin diary in seventeen years, Mirages is the record of Nin’s arrival in New York from Paris at the dawn of war and her mighty struggles as a woman and writer adapting to a harsher world. Features Henry Miller, Gonzalo More, Gore Vidal, and finally Rupert Pole.

 

quotableThe Quotable Anaïs Nin, a thematic collection of 365 of Nin’s famous (and occasionally obscure) quotations, with citations. You will note the poem “Risk” does not appear here, since it has been mistakenly attributed to Nin for decades. For verified quotes with sources, this is the book you need.

 

portableThe Portable Anaïs Nin, a sampling of all genres of Nin’s writing, in chronological order with comments by renowned Nin scholar Benjamin Franklin V. Highly recommended for first-time Nin readers or anyone who wants a complete collection in one book.

Complete Set of A Café in Space: Special Sale

For 15 years, A Café in Space: The Anaïs Nin Literary Journal has been the only periodical devoted to Anaïs Nin and her world. Over the years, it has been the go-to publication for those studying or interested in Nin.

Cafe10Cover-WebA Café in Space contains previously unpublished work by Anaïs Nin; essays by writers and scholars including Janet Fitch, Benjamin Franklin V, John Ferrone, Lynette Felber, Tristine Rainer, Kazuko Sugisaki, and many more; memoirs and correspondence by Anaïs Nin, Henry Miller, Rupert Pole, Hugh Guiler, Joaquín Nin, Alfred Perlès, Eduardo Sánchez, Gunther Stuhlmann, Alan Swallow, Lanny Baldwin, John Tytell, Barbara Kraft et al.; interviews with Nin, Deirdre Bair, Nobuko Albery, John Teunissen, Béatrice Commengé; poetry and short fiction by Daisy Aldan, Diana Raab, Aeryn Seto, David Wilde, Changming Yuan; contributions from France, Japan, England, Australia, Canada, Spain, Brazil, India, Egypt, Romania; photography and artwork; book reviews covering Nin, Miller and Lawrence Durrell; studies of Henry Miller by James Decker, Karl Orend, Katrin Burtschell, Allison Palumbo; analysis of Durrell by James Clawson, Richard Pine, Peter G. Christensen, Donald Kaczvinsky, Pamela J. Francis, Candace Fertile, Nabil Abdel-Al, Joshua Zeller, Bruce Redwine, Kennedy Gammage, David Green; articles about Antonin Artaud, Louis and Bebe Barron, Luis Buñuel, Maya Deren, Gonzalo Moré, Helba Huara, Gore Vidal, June Miller, Reginald Pole, Joaquín Nin-Culmell; book and stage reviews; internet links; rare photographs of Nin and her circle and haunts.

Now that the final issue of the 15-volume series has been published, for a limited time (until March 31, 2018), the entire collection can be purchased at a discounted price.

At $150.00 for the entire set, the buyer is getting not only a wealth of reading material, but also a great bargain. After March 31, the price for the set will be $225.00. Individual copies are $15.00. The inventory is limited, so timeliness is encouraged. Visit www.skybluepress.org to order.

Anais Nin Podcast 26: Trapeze: The Unexpurgated Diary of Anais Nin, 1947-1955

In this episode, Paul Herron, editor of Sky Blue Press, discusses the editing process of the new Anaïs Nin diary, Trapeze, which has just been officially released.

As the title of the diary suggests, this is the story of how Nin was able to pull off what was—and still is—the seemingly impossible feat of maintaining two men, two homes, two lives on opposite sides of the continent without either man knowing about the other. The idea that Nin’s husband, Hugh Guiler, know about Nin’s lover, Rupert Pole, is debunked. With the help of loyal friends, including Guiler’s maid, and countless fabrications, explanations, fictional employers and assignments, she was able to spend about half the year, on and off, with each man and live within two completely opposing worlds. New York was the center of art world and internationalism, high-energy, and Nin moved in vast social circles, living what she called a “big life” with Guiler. In California, she was with Pole, a forest ranger, in a cabin at the foot of the mountains in Sierra Madre, a sleepy town disconnected from the rest of the world, in the middle of nature, and the pace was almost impossibly slow. Each man had his attributes that Nin found irresistible, and yet each man’s negative traits drove Nin mad, even to the point where she found herself not going TO each man, but FLEEING from each. And yet, it was a lifestyle she maintained for the rest of her life, and a story that is only now exposed to the public in full, in Nin’s own words.

ruperthelmet

Rupert Pole, 1950s

Herron also discusses the back-stories of Trapeze, including the fact that Nin was increasingly excluded from the American literary world, and her work was chastised by friend and foe alike to the point where she was ready to give up on her writing career altogether.

Also discussed is one of the major supporting characters in Nin’s life at the time—James (Jim) Leo Herilhy, who would later achieve fame with his novels, including Midnight Cowboy. Herlihy not only supported Nin’s writing at the very time when no one else did, he also know Guiler and Pole well enough to give Nin objective and honest feedback on her relationships with them in his eloquent correspondence to her, which is quoted in this podcast.

Run time: 18 minutes

To listen with iTunes, click here.

To listen without iTunes, click here.

This podcast is sponsored by Trapeze, which can be ordered as follows:

To order the hardcover edition at a discounted price, click here.

To order a Kindle app edition, click here.

Podcast 22: The Battle to Uncensor Anais Nin’s Auletris: Erotica

When Anaïs Nin’s long-lost erotica collection, Auletris, was published in October 2016 by Sky Blue Press, it was immediately censored by Amazon, the world’s largest retailer. What was amazing is not only was the most recognizable name in female erotica rendered invisible during searches, others were not, including, unbelievably, an entire category of “dinosaur porn.”

Detail of cover, from a card in Nin's collection

Detail of cover, from a card in Nin’s collection

Was this a gross misunderstanding, or was it ignorance? Is it possible that the higher-ups had never heard of Nin despite her bestselling erotica Delta of Venus and Little Birds? This is the story of how Sky Blue Press took on Goliath and ultimately, with help from the media and customers, won.

Run time: 14 minutes

To listen to the podcast with iTunes, click here.

To listen without iTunes, click here.

To purchase Auletris, click here.

To read a review of Auletris by Los Angeles Review of Books, click here.

To listen to a panel of experts discuss Auletris, click here.

Re-Viewing Anais by Rochelle Lynn Holt

Re-Viewing Anaïs (Scars Publications, 2015) is a collection of author Rochelle Lynn Holt’s essays and reviews regarding her mentor, Anaïs Nin, with whom she collaborated in the 1960s and 1970s. Culled from several different publications, the book gives us a good overview of Holt’s regard of Nin’s work. As Holt says in her postscript:

ReviewingAnaisRe-Viewing Anaïs is a semi-academic collection of forty-nine essays/reviews that have been published individually in various periodicals from the Sixties to the present time. They represent virtually every one of Anaïs Nin’s publications in her lifetime and posthumously.

According to the postscript, Holt operated a handpress much in the same way Nin did in the 1940s, and Nin herself mentions Holt’s press in her Diary. Holt earned her MFA from Writers Workshop and her Ph.D. from Columbia Pacific University.

Re-Viewing Anaïs can be viewed and/or purchased by clicking here.

 

Anaïs Nin Podcast 12: He Said, She Said

Mirages: The Unexpurgated Diary of Anaïs Nin, 1939-1947 documents a long period of “erotic madness” when Anaïs Nin, in order to find someone who could relieve her of her stifling marriage to Hugh (Hugo) Guiler, went from one failed love affair to the next. Her paramours included youngsters, artists, homosexuals, and one in particular, with whom Nin claimed to never have consummated the affair, C.L. (Lanny) Baldwin, a businessman who wrote poetry on the side. There is an entire section of Mirages devoted to him, entitled “L’homme Fatal,” meaning the sort of man with whom Nin would fall in love, knowing that it would lead to utter disaster. In Diary 4, which did not chronicle any sort of intimate details of Nin’s love life, Nin nonetheless describes her efforts to convert Baldwin to her way of living—in other words, the artist’s life, or bohemianism, if you will. When he resisted, citing the responsibilities of career, wife and children, she became enraged and turned on him. Mirages goes deeper and reveals that, according to Nin, Baldwin was attracted to Nin and her lifestyle, but did not have the courage to make love to her or to give up the bourgeois life.

Anais@work

Anais Nin at Gemor Press

Fast-forward forty years. Among Gunther Stuhlmann’s archives was a manuscript by Lanny Baldwin called “A Movement in Mauve: A Memoir,” which tells his side of the story. Stuhlmann never published the document, and it lay in a folder for another twenty-five years before its discovery after Stuhlmann’s death in 2002. The memoir is remarkable because it is one of the only documents in which one of Nin’s “boyfriends” actually describes in detail his affair with her. It is also remarkable because it counters much of what Nin said in both Diary 4 and Mirages.

The memoir will be published in its entirety in volume 13 of  A Café in Space: The Anaïs Nin Literary Journal, available Feb. 21, 2016.

To listen to excerpts from both the diary and the memoir, listen to our podcast:

To listen with iTunes, click here.

To listen without iTunes, click here.

Run time: 15 minutes.

Anais Nin Podcast #6: Nin’s Fiction: A Blueprint of the Pysche

Episode six of The Anaïs Nin Podcast features an interview with Brazilian poet Marina Ferrer, whose understanding of Anaïs Nin’s writing is so profound that I feel she has taught me a new way, a clearer way, to approach Nin’s most neglected work—her fiction. If I, who have been studying Nin for a quarter century, feel this way, I am certain you will too.

Marina Ferrer

Marina Ferrer

“Keep your mind open,” Ferrer advises new Nin readers. “You have to approach her without prejudice. Avoid the expectation that you are going to be told a story like Harry Potter. You have to be willing to work psychologically. Accept Anaïs as she comes—don’t impose what you think literature is on her writing or you are going to be fighting her all the way to the end of the book.”

Listen as Ferrer likens Nin’s characters to a blueprint of the psyche and asserts that we all have “cities of the interior” in which several versions of ourselves live, each beckoned to the surface by different external circumstances. Reading Nin, then, raises our own self-awareness, which is perhaps the greatest gift an author can give readers.

Run time: 15 minutes.

To listen to the podcast on iTunes, click here. If you don’t have iTunes, click here.

You can order Nin’s iconic collection of fiction, Cities of the Interior, by clicking here.

Marina Ferrer’s essay and poetry will be included in A Café in Space, Vol. 13, which can be pre-ordered here.

Anais Nin Myth of the Day #19: Who’s that with Henry Miller?

Myth #19: The woman in the photo with Henry Miller is Anais Nin.

HenryMiller&MargaretNeimanFact: Recently photos of “Henry Miller and Anais Nin” taken by Man Ray have been popping up on Twitter and various blogs. The photos have been dated as either 1942 or 1945, which piqued my interest since by that time, Nin and Miller’s relationship was over. Furthermore, there is no mention of such a photo in Nin’s diaries, including Mirages, which covers those years. Posing nude with Miller for Man Ray would, one would think, make it into the diary.

The woman does resemble Anais Nin, except she is more endowed, curvier. The face and hands, however, could be hers. I have to admit that I was in doubt for a brief moment until I did a little research and discovered her true identity: she is Margaret Neiman, wife of Gilbert Neiman, both of whom were Miller’s friends in Los Angeles, where they invited Miller to stay with them at their home. Documentation of this relationship can be found on The Cosmodemonic Telegraph Company: A Henry Miller Blog. The photos were indeed taken in 1942.

Miller was at the Neimans’ when Nin broke off her relationship with him, blasting him for his propensity for living off others, Nin and the Neimans included. “I don’t want you back,” she famously wrote, after Miller said he planned to return to New York and get a job.

For more on the Miller/Neiman relationship, visit the Miller Blog by clicking here.

To read the breakup letters between Nin and Miller, order Mirages: The Unexpurgated Diary of Anais Nin, 1939-1947.

A Spy in the House of Love republished

A new ebook edition of Anaïs Nin’s A Spy in the House of Love has been published, which includes an introduction from Anaïs Nin, character descriptions, a publishing history, and a chronology of the author’s life and work.

SpyInTheHouseA Spy in the House of Love is one of Nin’s most famous titles, the fourth installment in the “continuous novel,” entitled Cities of the Interior. Nin chronicles the life of Sabina, who is married and has relationships with five very different men, each reflecting a different facet of herself. Sabina’s selves are at war with each other, and she seeks unity, which is the theme of the novel. It is written in beautiful prose and is considered to be a true gem of the English language.

To see more about this title, click here.

To order or preview A Spy in the House of Love, click here.

Anais Nin’s problem with American publishers

Anais Nin, who had written the novel A Spy in the House of Love, was having great difficulty getting it published. None of the big New York publishers were interested in Nin’s ethereal fiction, preferring instead Hemingway or Mickey Spillane novels; in other words, uncomplicated and in-your-face good ol’ American writing.

One of the many publishers Nin contacted was Pellegrini & Cudahy, and below is a rejection letter written by a certain Coley Taylor, who decided to be “honest” in his assessment of the novel. What makes this somewhat unusual was Nin’s response to the rejection letter; Nin usually vented in her diary, not in letters to the publisher. Her to-the-point response makes her frustration with the American publishing scene very clear, as you shall see.

Rejection

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Nin’s response:

I was not angry at your frankness and everyone has a right to his personal opinions. However I find that under cover of honesty and personal reactions if you expressed a lack of tact of human courtesy and a limited insight. The whole cause for the deterioration of publishing and writing lies precisely in this lack of literary objectivity and this substitution of unskilled emotional reactions to writers. It is you who are bored, who failed to see the continuity or the revelation of character. Maturity in evaluation consists precisely in examining your inner subjective reactions so as not to inflict them upon writers as criticism. It does not harm me because I am a veteran, but your so called honesty harms young writers. Your letter was insensitive rather than honest, destructive and irresponsible if it had been addressed to a beginner who believes that publishers are impartial, objective mature critics, men of taste capable of evaluating writing.

Nin’s claim that she was unharmed is to be taken with a grain of salt. The repeated and unrelenting rejection of her work in America took its toll on her. It would be another nine years before she was to find the publisher who would put all her fiction into print: Alan Swallow.

To see more about A Spy in the House of Love, click here.

To read Nin’s response to a critic, click here.

To purchase A Spy in the House of Love, click here.

To purchase Cities of the Interior (which includes Spy), click here.

 

 

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