We are celebrating Anaïs Nin’s 114th birthday with two major events: First, the publication of the 14th volume of A Café in Space: The Anaïs Nin Literary Journal, and the 24th episode of The Anaïs Nin Podcast.
The theme of this year’s A Café in Space is twofold: erotica and Nin’s relationship with her parents. Scholars from India and England look at Nin’s childhood and how it affected her life: Kastoori Barua’s essay uses popular theory to explain how Nin’s life choices were influenced by the unusual relationship she had with both parents, while Jean Owen explores adult-onset incest, using Nin and Kathryn Harrison as examples. Casandra Lim uses Freud’s theory of Oedipus to explains Nin’s relationships. The erotica aspect comes from the recent release of Nin’s long-lost collection Auletris: Erotica, and we present the introduction to the book as well as a lengthy excerpt. Erotica writer Lana Fox then uses Auletris as inspiration for her short story “L’Étalion.”
Also included is never-before-published correspondence between Anaïs Nin, Joaquin Nin-Culmell and Eduardo Sanchez regarding contentious character descriptions of family members in the first volume of The Diary of Anaïs Nin, some of which is explosive.
Nin scholars Simon Dubois Boucheraud and Jessica Gilbey also provide article to volume 14, while David Green treats us to his experiences in Durrell country in France. There is an excerpt from and a review of Kazim Ali’s new book Anaïs Nin: An Unprofessional Study and a tribute to John Ferrone from Tristine Rainer.
Short fiction, poetry and art are from Danica Davidson, Katie Doherty, Kennedy Gammage, Harry Kiakis, Steven Reigns, Chrissie Sepe, Colette Standish, David Wilde and Changming Yuan.
At $15, and with this caliber of work, it’s a steal.
Podcast 24 concentrates on the history and future of Anaïs Nin’s diary publication. As you may know, we are fast approaching the May 2017 release of the sixth unexpurgated diary, Trapeze, which covers the beginning of Nin’s double life with husband Hugh Guiler and lover Rupert Pole on opposite ends of the country. We talk about the misconceptions behind the original series (the controversy surrounding the “missing husband”), the development of the early diary series, and a look at the rocky unexpurgated series, one which has reached incredible heights with Henry and June, and horrible lows after Incest was published in 1992, setting up the collapse of Nin’s popularity. I talk about the editing of both Mirages and Trapeze, and the two future diaries, about which few know at this point.
Coming in at 20 minutes, I guarantee it’s worth the listen.
When Anaïs Nin’s long-lost erotica collection, Auletris, was published in October 2016 by Sky Blue Press, it was immediately censored by Amazon, the world’s largest retailer. What was amazing is not only was the most recognizable name in female erotica rendered invisible during searches, others were not, including, unbelievably, an entire category of “dinosaur porn.”
Was this a gross misunderstanding, or was it ignorance? Is it possible that the higher-ups had never heard of Nin despite her bestselling erotica Delta of Venus and Little Birds? This is the story of how Sky Blue Press took on Goliath and ultimately, with help from the media and customers, won.
Run time: 14 minutes
To listen to the podcast with iTunes, click here.
To listen without iTunes, click here.
To purchase Auletris, click here.
To read a review of Auletris by Los Angeles Review of Books, click here.
To listen to a panel of experts discuss Auletris, click here.
As you may know, The Anaïs Nin Podcast is a monthly program that touches upon anything and everything having to do with Nin and her work. This month we saw the release of her new erotica collection Auletris by Sky Blue Press, and when Amazon placed it into its “adult content dungeon,” which rendered it unsearchable, a controversy arose that led to media coverage and, amazingly, Amazon’s changing their mind.
Now, to my point: this practice of making books invisible is the topic of the next podcast. It amounts to modern-day censorship. Are you an author or publisher who is in the dungeon, or have been? If so, I want to hear your story. You can write me at skybluepress @ skybluepress . com. I plan on airing in mid-November.
Perhaps together we can make a difference.
To order Auletris: Erotica, click here.
In a move that reminds me of the draconian book-banning obscenity laws of the first part of the twentieth century, retail giant Amazon rendered Anaïs Nin’s new erotica collection, Auletris, unsearchable on its website, citing “adult content” as the reason. This is widely known as Amazon’s adult content “dungeon,” and it makes the book practically invisible to readers even if they actively search for the title. The end result is that sales are effectively killed.
But after the media began to cover the controversy earlier this week, Amazon has now reversed its stance and has made Auletris visible to buyers, just as other mainstream erotica is, including Nin’s Delta of Venus and Little Birds, not to mention Fifty Shades of Grey.
Stories by News.co.au and the Guardian slammed Amazon for the practice of censoring books, and there were other news agencies ready to jump on the bandwagon—this, I believe, helped change the minds of Amazon’s shadowy “catalogue team,” which decides which titles are searchable and which are not. I personally think that the people who comprise this modern-day censorship board did not realize who Anaïs Nin is and had no idea about the implications their soft ban of Auletris would have.
I want to thank everyone who participated in spreading the word about this practice, who helped me connect with the media, and who lent moral support and shared outrage at this twenty-first century form of censorship. We, as readers, have the right to make our own decisions about what we read, and it is insulting for Amazon to dictate our choices to us simply because they feel like it and have the economic power to do so. This right, as far as Auletris goes, has finally been upheld, and I want to commend Amazon for making the right decision.
However, what about all of those left in the “dungeon”? What about those authors who are forced to make significant changes to their work to make it searchable? Who will stand up for them? I, for one, think that Amazon needs to rethink its policy have having a “catalogue team” making such decisions, and seemingly on a whim. When one can readily find “dinosaur erotica” in an Amazon search, why is it that other books don’t see the light of day?
Thank you for releasing Anaïs Nin from the dungeon, Amazon. She was perhaps among your most prestigious inmates…but it’s time to eliminate the dungeon altogether.
To purchase Auletris, click here.
NOTE: Amazon has since rescinded it censorship of Auletris. I am leaving this post up as a matter of history.
As you may know, Amazon.com has censored Anaïs Nin’s new collection of erotica, Auletris, having it flagged as “adult.” This flag, known as the “adult content dungeon,” renders the book unsearchable unless the seeker is adept at getting around the fact nothing shows up when the title is entered in the search bar under “all products,” which is how most people search for books. Most people would simply give up at this point, although some have dug and dug and finally find ways around the block. When all is said and done, my guess is that the vast majority of people seeking Auletris in their library will fail in their endeavors, which is not only a shame, but is utterly unfair in light of the fact that something like “dinosaur erotica” is easily found and purchased, whereas arguably the most important erotica writer of all, Anaïs Nin, is not.
I have argued with Amazon that if someone is actively seeking the book, they should at least be able to find it. It’s bad enough Auletris doesn’t appear automatically, and totally unthinkable that someone who wants it cannot find a way to purchase it. It’s also bad business for everyone involved.
So, I am offering you, the reader, easy ways to get around Amazon’s morality police. Below are links that will take you directly to Auletris without having to search for it. Simply find your country and click on either print book or ebook (assuming each is available).
Amazon (Australia) ebook
Amazon (Netherlands) ebook
Amazon (Japan) ebook
Amazon (Mexico) print book UNAVAILABLE
Amazon (Mexico) ebook UNAVAILABLE
Amazon.com (India) print book
Barnes & Noble print book
Please share this post with your friends and fellow readers.
To complain to Amazon about their censorship of Auletris, take a moment and call them at 866-216-1072 (USA only). Amazon should not treat their customers as if they are incapable of making their own decisions about what to read.
Barbara Kraft, author of a new memoir on Henry Miller, recently gave a reading at a Santa Monica library, which was video recorded and is now ready to be viewed.
Kraft not only speaks of her close relationship with the literary titan during his final two years, but also reminisces about her friendship with Anais Nin during the years just before her death–a relationship that was independent of that with Miller. Kraft’s gift to Miller and Nin fans are her two beautifully written memoirs:
Each book is the perfect companion for the other.
To watch the video, click here. (Run time: 49 minutes)
In 1974, Barbara Kraft sent Anaïs Nin, who was offering to mentor writers, a submission that was accepted. Just after Kraft met the famous diarist, Nin discovered she had cancer and began a two-year descent into pain and suffering, but Kraft and Nin forged a deep friendship that helped Nin transcend the illness. Nin’s relentless spirit in the face of death is the subject of Kraft’s first memoir, Anaïs Nin: The Last Days (2011, Sky Blue Press).
Soon after Nin died in early 1977, Kraft attended a talk by Henry Miller and was so impressed that she wrote “An Open Letter to Henry Miller,” which was broadcast on a local NPR station. When Miller heard a recording of the “Letter,” he immediately sought Kraft out, and he eventually asked her to be one of sixteen rotating cooks who would not only cook dinner for him, but engage in conversation. She accepted, and soon she was conversing with the Tropic of Cancer writer on a regular basis about life, art, religion, sex, philosophy and, of course, writing. Kraft became more than a cook, though—she also was Miller’s confidante and, in the end, the one responsible for making sure he didn’t die alone in the chaotic house in Pacific Palisades, all of which is included in her latest book Henry Miller: The Last Days (2016, Sky Blue Press).
Listen as Kraft reflects upon these two intimate, but very different, friendships and how she captures the essence of both Anaïs Nin and Henry Miller.
Run time: 29 minutes
To listen to the podcast with iTunes, click here.
To listen without iTunes, click here.
For more on Henry Miller: The Last Days, click here.
For more on Anaïs Nin: The Last Days, click here.
In her contribution to Volume 13 of A Café in Space: The Anaïs Nin Literary Journal, Barbara Kraft shares the beginning of her forthcoming memoir Henry Miller: The Last Days, which will be published soon by Sky Blue Press.
After delivering An Open Letter to Henry Miller on public radio in 1977, Miller invited Kraft to cook dinner for him, and she eventually became a regular at the Miller household.
Here, Kraft describes her first meeting with Miller:
“A half hour had passed when I heard a slow shuffling noise in the kitchen and then the famous voice. Leaning on his walker, it was a labored crossing and there he was. Dressed in pajamas and a blue terrycloth robe, fluffy white bedroom slippers and white socks on his feet, Miller continued to charm. Frail, fragile, deaf in one ear, blind in one eye, lame on one side but not broken. Age could not touch him; his spirit was indefatigable and still quite miraculous. The eternal clown, the gentle jester.”
Read the entire excerpt in volume 13, along with an excerpt from Anaïs Nin’s forthcoming Trapeze: The Unexpurgated Diary of Anaïs Nin and Benjamin Franklin V’s introduction to the book, essays by Nin scholars from around the world, testimonies by women writers influenced by Nin, short fiction, poetry, photographs and visual art.
To order Volume 13 of A Café in Space, which is available in print and as an ebook, click here.
As editor of this journal for the past 13 years, I can personally say that this is one of the most satisfying issues we’ve ever produced, with an excerpt from the forthcoming diary Trapeze, a memoir from one of Anaïs Nin’s lovers, powerful testimonies from women writers affected by Nin’s life and work, critical articles about Nin and those who affected her own work by talented scholars, an introduction to Trapeze by Benjamin Franklin V, poetry, short fiction, photographs and visual art.
Anaïs Nin recounts her first weeks with Rupert Pole in 1947, Lanny Baldwin counters Nin’s account of her relationship with him in the only known memoir by one of the characters in her diary, Barbara Kraft offers an excerpt from her new memoir Henry Miller: The Last Days, Jessica Gilbey explores the little-known relationship between Nin and her mother while Jean Owen tackles the father-daughter entanglement, Erin Dunbar discusses the affect Djuna Barnes had on her work, and Lana Fox delivers a moving account of how Nin came along at the right time as Lana was transitioning from a tragic beginning to a triumphant present.
Other contributors include Diana Raab, Marina Ferrer, Ellie Kissel, Chrissi Sepe, Danica Davidson, Colette Standish, David Wilde, Marc Widershien and Kennedy Gammage.
You can order A Café in Space, Vol. 13 in both print and digital issues by clicking here.
And stay tuned for the next Anaïs Nin Podcast, which will be dropped Feb. 21, 2016.
A new ebook edition of Anaïs Nin’s A Spy in the House of Love has been published, which includes an introduction from Anaïs Nin, character descriptions, a publishing history, and a chronology of the author’s life and work.
A Spy in the House of Love is one of Nin’s most famous titles, the fourth installment in the “continuous novel,” entitled Cities of the Interior. Nin chronicles the life of Sabina, who is married and has relationships with five very different men, each reflecting a different facet of herself. Sabina’s selves are at war with each other, and she seeks unity, which is the theme of the novel. It is written in beautiful prose and is considered to be a true gem of the English language.
To see more about this title, click here.
To order or preview A Spy in the House of Love, click here.