Anais Nin Mystery: What are the symbols in House of Incest?

They appear at the beginning of each section of Anais Nin’s first published work of fiction, beginning with the Siana edition in 1936. They appear to be woodcut prints, and they have appeared in every edition since, including Gemor Press, Dutton, Anais Nin Press and Swallow. But what do they mean? I posed this question to the foremost Nin scholars in the world, and no one seems to know.

Can you help us solve this mystery? If you know anything about these strange symbols, please leave a comment and perhaps we’ll get to the bottom of it.

HoISymbol

Anais Nin Podcast 26: Trapeze: The Unexpurgated Diary of Anais Nin, 1947-1955

In this episode, Paul Herron, editor of Sky Blue Press, discusses the editing process of the new Anaïs Nin diary, Trapeze, which has just been officially released.

As the title of the diary suggests, this is the story of how Nin was able to pull off what was—and still is—the seemingly impossible feat of maintaining two men, two homes, two lives on opposite sides of the continent without either man knowing about the other. The idea that Nin’s husband, Hugh Guiler, know about Nin’s lover, Rupert Pole, is debunked. With the help of loyal friends, including Guiler’s maid, and countless fabrications, explanations, fictional employers and assignments, she was able to spend about half the year, on and off, with each man and live within two completely opposing worlds. New York was the center of art world and internationalism, high-energy, and Nin moved in vast social circles, living what she called a “big life” with Guiler. In California, she was with Pole, a forest ranger, in a cabin at the foot of the mountains in Sierra Madre, a sleepy town disconnected from the rest of the world, in the middle of nature, and the pace was almost impossibly slow. Each man had his attributes that Nin found irresistible, and yet each man’s negative traits drove Nin mad, even to the point where she found herself not going TO each man, but FLEEING from each. And yet, it was a lifestyle she maintained for the rest of her life, and a story that is only now exposed to the public in full, in Nin’s own words.

ruperthelmet

Rupert Pole, 1950s

Herron also discusses the back-stories of Trapeze, including the fact that Nin was increasingly excluded from the American literary world, and her work was chastised by friend and foe alike to the point where she was ready to give up on her writing career altogether.

Also discussed is one of the major supporting characters in Nin’s life at the time—James (Jim) Leo Herilhy, who would later achieve fame with his novels, including Midnight Cowboy. Herlihy not only supported Nin’s writing at the very time when no one else did, he also know Guiler and Pole well enough to give Nin objective and honest feedback on her relationships with them in his eloquent correspondence to her, which is quoted in this podcast.

Run time: 18 minutes

To listen with iTunes, click here.

To listen without iTunes, click here.

This podcast is sponsored by Trapeze, which can be ordered as follows:

To order the hardcover edition at a discounted price, click here.

To order a Kindle app edition, click here.

Anaïs Nin’s new diary is ready to order

Nearly four years after the release of the last Nin diary, Mirages, Trapeze: The Unexpurgated Diary of Anaïs Nin, 1947-1955 is ready to order in hardback format from Amazon.com.

Trapeze is Nin’s record of the early years of her double life (a husband in New York and a young lover in California) and how she was able to maintain this lifestyle in spite of perilous consequences if she ever let either man know about the other. She was metaphorically swinging on a bicoastal trapeze with no net below. The lengths to which she had to go, as well as the psychological and physical strain, are told in excruciating detail—and when one reads her tale, it is hard to believe that she pulled off  this feat for the rest of her life.

To order Trapeze: click here.