Fifty years ago Anaïs Nin’s decades-long struggle to escape obscurity and misunderstanding came to an explosive end when Harcourt published the first volume of The Diary of Anaïs Nin. It was an instant commercial and critical smash and propelled Nin from the shadows into the spotlight, from acult figure status to fame, at the age of 63, a status she would enjoy until her death in 1977.
The Diary is noted for its character study of Henry Miller and his wife June, as well as several other notable people, and it was done in a way that left out the intimate details of Nin’s love life, which kept her husband, family, and lovers from being hurt or scandalized. Even without this aspect of Nin’s life, the Diary was hailed as a fascinating document of the inner life of a creative and incredibly intuitive woman-artist who socialized with fascinating people in Paris of the 1930s…and because it was released at the dawn of second-wave feminism and the overall “youth movement” of the 1960s, it resonated with young people, especially young women who saw Nin as a sort of feminist and free-thinking pioneer. The timing could not have been better.
What is generally unknown about the Diary is what had to be done in order to include the characters who inhabit it. Had Henry Miller declined to be in it, it probably never would have been published, or if it had, it certainly would not have been as successful. In this podcast, we find out exactly what Miller thought about his portrait, and what he asked Nin to keep or delete.
We also hear from two people important to Nin—English writer Rebecca West and cousin Eduardo Sánchez—both of whom refused to allow Nin to include them. West was one of Nin’s earliest female idols, and Sánchez was Nin’s childhood crush and her confidant during her early adulthood. Sánchez’s condemnation of not only his portrait, but the Diary itself, is astounding, as you will hear in a letter he wrote to Nin in 1965.
Run time: 12:33
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This podcast is sponsored by Auletris: Erotica by Anaïs Nin, just released 75 years after it was written.