When Anaïs Nin was born 113 years ago in Neuilly, France, her house was filled with the music of her pianist/composer father and classical singer mother. It is conceivable she heard music while still in the womb. Her brother Joaquín began the piano at a very young age, so even after Anaïs’s father abandoned the family when she was ten years old, music was still a constant in the house after the family relocated to New York. Rosa Culmell, Nin’s mother, had many visitors, including famous singers, musicians and composers…so while Anaïs never took up an instrument or singing, her life was infused with music. As time went by and she began her famous diary, music played a role in her writing, often symbolizing certain moods, events, themes, or phases of her life. In episode 13 of The Anaïs Nin Podcast, we will learn about which artists or songs were among the most important in Nin’s life and work—Debussy, Ravel, jazz, Latin music, and even electronica.
I would like to give a shout-out to Glory Days Magazine for inspiring this podcast, and thank them for presenting Anaïs Nin to their readership in New Zealand.
Music includes: Tonadas by Joaquín Nin-Culmell, Bolero by Maurice Ravel, Popo by the Shorty Rogers Quintet, Sonata for Violin and Piano by Claude Debussy, Chuncho by Yma Sumac, and Bells of Atlantis by Louis and Bebe Barron featuring Anaïs Nin herself.
This podcast is sponsored by Volume 13 of A Café in Space: The Anaïs Nin Literary Journal, available now.
Run time: 14 minutes
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