Recently The Guardian posted an article, written by Sady Doyle, about Anaïs Nin which chronicles her struggles as a young writer, her meteoric rise to fame, her downfall in the aftermath of Incest and Deirdre Bair’s biography, and finally her current resurgence in social media. I happen to feel that the article is well-balanced, well-written, and is based on solid fact. This leads me to confront some misconceptions seen in the article’s comments section about Nin’s incestuous relationship with her father, Joaquín Nin. First, there seems to be some disagreement about who wrote the incest passages, not just from some of the commenters of the Guardian article, but among those who actually knew Nin herself. I happened to be among a group of women, all of whom knew Nin on some level—none of them intimately—who argued that Nin’s “husband” and literary executor Rupert Pole and agent/editor Gunther Stuhlmann concocted the incest passage in the name of creating money-making scandal. Some believe that Pole was the editor of Incest, when, in fact, he transcribed the text from the original handwritten diary of Anaïs Nin, and Gunther Stuhlmann was the editor. I was Stuhlmann’s friend and had first-hand accounts of how the process unfolded—Pole was difficult to work with, he said, because he wanted Nin’s words exactly as she wrote them (Harcourt editor John Ferrone said the same thing—check out his article on the making of Henry & June in A Café in Space, Vol. 4). While Ferrone was very bold in editing Nin’s text, Stuhlmann was more prone to leave it alone. The proof of this lies in the handwritten diary itself. Fortunately, Pole xeroxed the entire thing before Nin’s death, and I happen to have this document—the Incest passage it is the same wording as in the handwritten diary. So, the account is Nin’s, and it is virtually unchanged (misspellings, punctuation, etc. were the only edits). Secondly, the question about who seduced whom is still debated. This is answered by the correspondence between Nin and her father Joaquín. The letters are clear: Joaquín Nin aggressively and relentlessly pursued his daughter and even predicted what would happen inside “the four walls” of his hotel room. We know from Nin’s account in Incest that she consented to his advances, but nowhere in any of the correspondence, or the diary, does she suggest a premeditated desire for a physical relationship. To learn more about these letters see the blog post or read a selection of them in A Café in Space, Vol. 6. The Guardian article does crystallize the fact that Anaïs Nin and social media is a good fit, and, as Tristine Rainer mentions, she would have loved to have an instantaneous connection with the world. To read the Guardian article, click here.