A new ebook edition of Anaïs Nin’s A Spy in the House of Love has been published, which includes an introduction from Anaïs Nin, character descriptions, a publishing history, and a chronology of the author’s life and work.
A Spy in the House of Love is one of Nin’s most famous titles, the fourth installment in the “continuous novel,” entitled Cities of the Interior. Nin chronicles the life of Sabina, who is married and has relationships with five very different men, each reflecting a different facet of herself. Sabina’s selves are at war with each other, and she seeks unity, which is the theme of the novel. It is written in beautiful prose and is considered to be a true gem of the English language.
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When Volume 4 of Gunther Stuhlmann’s ANAIS: An International Journal appeared in February 1986, Anaïs Nin’s husband, Hugh (Hugo) Guiler, aka Ian Hugo, had recently died suddenly in his New York apartment. Long the “silent” partner of Nin, the “East Coast” husband and banker-turned-artist whose experimental films are still revered today, Guiler is the main focus of this issue, with a remembrance by Nin’s brother Joaquin, excerpts from interviews and studies, his own thoughts on the arts of engraving and making movies as well as recollections of growing up in Puerto Rico and Scotland under extreme conditions, which influenced his life and art.
Also included in this issue is critical correspondence between Anais Nin and Henry Miller at the dawn of their relationship, most of which is focused on their respective writing efforts. These letters make it clear how much one influenced the other’s work, from Miller’s unadulterated criticism of Nin’s use of the English language to Nin’s efforts to keep Miller focused on the essentials in light of his tendency to go off on tangents and to exhaust every thought running through his over-active mind. We are given tangible examples of how Miller’s commentary on Nin’s fiction actually found its way into the finished products.
There is a study on Otto Rank by Nin scholar Sharon Spencer, whose hypothesis that Nin and Rank were lovers was spot on, and a look at Nin’s friend Caresse Crosby and her famed house, Hampton Manor, which attracted the likes of Nin, Miller, and Salvador Dali, among many other artists in the early 1940s.
To preview and/or order volume 4 of ANAIS: An International Journal, click here.
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